♥♥♥ SHASHUM’S BLOG ♥♥♥
Hello & Happy Day 🙂
This is my first “BLOG” and it seems a bit strange to communicate this way, and being a bit older, I am not computer savvy. So please bare with me as I navigate thru this new world of “social media”. It took over a year to create this site, and there is still much to “fix”, but please know, my artistic skills are much stronger than this computer stuff. I would appreciate any input to help me along. 🙂
Meanwhile, I desire to share my 50+ years of experience & adventures creating with many mediums in the near & up-coming future. Please have patience with me in my postings, as I can make many things (I even co-built my house & w/o contractors), but this computer world is so very new for me and not as much fun as making stuff in my studio! Currently, I am focused on making some fabulously fashionable leather bags in really cool colorful textures, all lined and with many pockets. I love leather, and making stylish art is the fun part, …it’s getting the good photos and listing on the website that is a bit tricky and time consuming for me.
So, stay tuned as it will be worth it, and watch the creative madness happen! 🙂
thanks & have a delightful day! ~ Shashum ♥
I have been an artist as long as I can remember, constantly making stuff with anything I could get my hands on (including my earliest memories of mud, string & sticks). My first business endeavor was making brass & copper wire jewelry (after all, it was the late 60’s) at age 9.
A few years later, I moved on to glass bead necklaces and started my vast quality bead collection that would eventually become worldwide. All the fabulous colors of glass & rock minerals really got my attention & artistic juices flowing! Soon after, around age 12, I got interested in stained glass and REALLY loved it! The sun coming thru the vibrant high quality glass made my heart dance with joy! I couldn’t get enough time making radiant pieces! Long after making hundreds of pieces (both commissioned & some gifted), the California earthquakes broke & even destroyed some of them, giving me pause to rethink this form of art…
Also during my early teen years I started sewing my own fashionable clothes (as I have always been much smaller than other gals) and I found myself enthralled with textiles; …all the beautiful colors, textures, and the myriads of different types of fabrics, oh my!! So at age 16, I went to fashion design school and soon successfully entered the fashion world! Surrounded by fabulous fabrics all day long was wonderful and I truly loved it! I started at the bottom as a sample sewer, and then quickly moved up to designer. At that time, the industry wasn’t approving or empowering creative “out-side-the-box” female designers, and as a young female (age 19), I found myself not wanting to submit to some unethical practices, so I moved on.
A short time later, a new opportunity came my way to create ceramic tile murals & elite installments for very high end, extravagant homes. What a challenge, yet what a new creative outlet! The work was hard & dirty, but I learned a lot, saw a lot, and installed a lot successfully for nearly 25 years. Thru all that time as a tile setter/muralist & rock mason, I was continuing my vast collection of semi precious stones, blown glass beads, and incredible fabrics, from all over the world (sometimes thru personal travel or thru acquaintances, and then/now thru the worldwide web), looking for opportunities to reclaim desirable goods.
Somewhere along the way, I started doing leather work (I think at summer camp as a young teenager) where I was selling during the summers at the local Renaissance Pleasure Faire in the mid/late 70’s. Then about 20 years ago, I found an outlet that “saved/rescued/re-purchased” leather goods from companies that were discarding them to the dump. It’s where you have to rummage thru big industrial laundry bins or haphazard shelfs loaded with all kinds of random pieces of leather of great colors & textures! I always come out of there a bit dirty, but full of joy from the adventure! Shortly after discovering this great way of recovering useable “new” leather, I got a fantastic leather sewing machine and started making all kinds of things. The possibilities are truly endless & invariably super cool!
Now at 65+ years young, I am blessed to have a delightful studio where I concentrate on making quality jewelry, delightful leather goods & stylish clothing. I have a number of industrial sewing machines, a superbly stocked (& organized) fabric room, an area for jewelry making and it’s required machines, a bead collection that would rival any bead shop, and a rack of countless beautiful leathers. My beloved husband always knows where to find me, because next to my gratifying garden and my big beautiful mastiff dogs, my sunlit studio is one of my favorite places, where I can share or teach, and create create create!
Thank You for visiting our site, and I hope you enjoy the avant-garde style of artistic quality goods!
~ Shashum ♥
~GREAT BEAD BONANZA~
Bead shopping is & always has been something I truly enjoy! The colors, the style and the elements of ingredients, all make me radiate with pure joy. I even truly enjoy the process of organizing them (after the purchase) back at the studio! I can spend hours auditioning them with other beads for future projects.
Beads can be purchased at local bead shows, at brick & mortar shops, and even on line. I prefer the bead shows where there are hundreds of vendors showing & selling a huge variety of beads consisting of either plastic, metal, glass or semi-precious stones that I can fondle & inspect, (be sure to ask if you are not sure what you are looking at). When I go to a show, I always bring a list of my “needs”, and sometimes even color swatches, so I can keep on track and not forget something or loose focus, which is so easy to do with SO much to look at. Tools and findings (called hardware) are also sold at the show for good prices, so keep that in mind.
In choosing semi-precious stones, I like to ask the vendor where the particular stone I am interested in comes from (where the region a stone is mined makes a difference, because some miners like to colorize, dye, or even heat treat their stones to enhance the color or mask the defects). The vendor is required to tell you the facts of that stone (and if it is natural or not) and it’s process. Make sure to ask questions & to get your full answers (politely of course). Then I start by picking a strand (or group of strands called a hank) and hold it up to the light to see the color (is it brilliant, pretty, or striking), the clarity of color (is it clean or muddy, or with speckles of “dirt”), do I like the marbling (if any) and are the beads consistent in color & size (unless I am making a graduated piece of large to smaller stones or a “random irregular funky” piece). I want the stone beads to be as much as the same as possible. If I am still happy with that strand, next I start looking at the lapidary work of the stones; are they consistent in size, shape, faceting and polished (in all directions; side to side, top to bottom, thick or thin), and are the holes put truly centered from end to end, and not tilled in the bead, and of the same size (you can not believe how much variable of poor quality you get here, especially in the drilled hole size from one end to the other, and from bead to bead, which determines the way it hangs and therefore the quality of the finished necklace). This all might seem daunting, but it is all very important if you want a beautifully finished piece that hangs nicely, and the more you go thru this kind of scrutiny/inspection when shopping, the easier it gets. Get to know your stones and what kind of shapes you like & are seeking to work with, so the shopping goes smoother.
Finally you get to the pricing, where in some cases, the more you purchase the lower the price point and some vendors will negotiate. I do suggest that you not just buy more to pay less per bead, because you may not use 12 strands of a particular color of bead and you could of used that $money$ for another different strand. But do count how many “good” beads are on the strand so you know if that strand has enough for your project. When you do find a vendor you like dealing with, be sure to get their business card/info so you can purchase from them again in the future (either for on-line purchases, now that you know what you are looking for, or for registering with them for entry passes for future shows and their booth#).
Seeking quality beads for your project is a bit tedious, but always yields a better finished result. I have known some of my vendors for decades, and they know me & my requirement of good quality. So when I request a certain stone, they have kept great strands just for me (to purchase). They have even searched for particular gems/stones I’m looking for to bring to the show. Establishing a good relationship with a vendor can be very valuable & for years to come. Hope this helps you find some great beads!
~BLOWN GLASS BEADS~
I love making necklaces with blown glass pieces & beads because of their extraordinary light refracting artful avant-garde distinction, and the eye catching conversation they seem to cause. There is never any other piece of jewelry like them.
Another benefit to blown glass beads is the light weightiness they bring to the entire piece, both in looks and in the actual weight, as glass can be heavy (depending on the minerals used to make the piece), but if the craftsmanship is of good caliber, they should be beautifully light, yet strong. Venice/Murano, Italy has been known for it’s centuries of gorgeous glass work and has been for the past century (at least) making incredible “hollow blows”. I have had the fabulously fun opportunity to visit Venice & Murano Italy to spend time with generations of highly talented glass artisans (something I will NEVER forget!) and witness the immense difficulties of this artful expertise. One thing for sure, this gorgeous glass art has not, and will not ever go out of style, because when you find something truly beautiful, it IS forever beautiful!
Now, due to more affordable materials & easily mined minerals becoming so world widely available, plus new studio sized equipment, glass blowing is at an all time high and pretty easy to get started. I have created, commissioned & collected beads from all over the world for most of my life, and some pieces are centuries old, yet still wonderful and still lovely to wear. You can combine “hollows” with all kinds of glass & stone beads (as long as you consider the total weight of the piece, because too much weight creates discomfort & possible hollow bead breakage). Having said all of this, I hope you will enjoy & truly appreciate all the wonderful qualities of this artful “one-of-a-kind” stylish jewelry & for many years to come.
~FABRICS, FABRICS, FABRICS~
Japan is one of the first countries/cultures to grow silk from silkworms, finely spin the micro threads, dye them with amazingly vibrant all natural herbs & minerals, and then laboriously weave the delicate super fine yarns into gorgeous silk fabrics. One yard can take 1-3 months due to it’s intricate micro patterns. Some patterns only show up in the light reflection, while another pattern is in the dye, and sometimes (if we are lucky) they will be completely different and yet together on the same goods. Very avant-garde before their time! The fabrics were (& are) so well made that they were and are still considered to be family treasures, that they are even pasted down to the next generation as highly treasured family heirlooms.
Unlike today in the U.S., Japan thankfully, does not dispose of their precious woven goods, and now after decades, even centuries later, Japan is discovering some old closed up warehouses of this treasured stash and opening them up for the out of country market. It is not always easy to locate and purchase, but it is always wonderful to find! The quality is supreme and the craftsmanship is amazing! In my humble opinion, they are truly above all others in silk textiles.
What catches my eye, is the timeless “modern” colorful patterns they created hundreds of years ago,I have some bolts that are said to be approx. 200-400 years old and are STILL in excellent condition and VERY modernly current! And it took years to make it from worms to finished fabric! I am even more amazed that moths hadn’t found any of it (due to such perfect containment & storage)! The current challenge for me is that they weave their goods in 14″ widths, and I am used to our American 45″-60″ fabrics to work with! But very soon I will have a variety of stylish garments to bring to you, so keep an eye out!
I also have an incredible stash of high quality fabrics from all over the world; Australian, Belgium, Italian, Irish & Japanese Linens, high quality American hand printed & hand dyed Cottons, great American Denims, Scottish Wools, and countless other high quality fabrics collected from afar. It’s always wonderful to make things, but when you use quality materials, they ALWAYS come out far more stylishly supreme!
So stay tuned, great fashion is on it’s way!!
International Shipping
$35.00 +DDU
FREE US Domestic Shipping
100% SECURE Checkout
Paypal / Mastercard / Visa
